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“Oh, no, no! I’m fit—I must find her myself—right now!”,

Moses’ teeth chattered. It was not cold, but wash-day meant to the unhappy boy a dismal round of duties.,

A loud whisper from Pete Stolway disturbed the orator.,

“Let ’em come. What do I care for Sour ’n Shifty? I’ll never desert Micawber this near success.” He rubbed on calmly, and the two boys came in at the open door.

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As he climbed down, reaching from branch to branch, very cautiously, he knew not why, he was suddenly halted by the sound of low voices. Carefully he crept nearer. A tiny hut came in view, with an open door, and the glint of fire within. A man was standing outside, smoking a pipe, yet wearing hat, coat, and gloves, as if about to set off. He was very large. His clothes were new and showy, too bright in color, too large of check. His watch chain was massive; the big diamond out of place with his colored shirt; and the soft silk handkerchief he drew from his pocket was a brilliant red, and the largest Billy had ever seen. Another man, in the doorway, was smaller and bareheaded. His sleeves were rolled up, and his hands were stained.,

Max was the first to be quite ready with his exhibit. It was a queer creature that one gradually discovered to be some sort of a bird; though such a one had never before been seen on land or sea. Max had arrayed his mother’s big white gander for the occasion. A turkey-tail fan made a huge breastplate, if one can imagine a breastplate of feathers. All the long-tailed roosters that had been killed in town for months, one would guess, had contributed to the coat of sprawling feathers that was tied over the body of the bird. And no one knew by what magic the boy had coaxed some one to lend him the magnificent peacock plumes that rose high above the little wiggling goose tail.,

Billy hesitated a minute. The dim room, the wicked-looking red lights, Bess so stern and mysterious,—this might frighten the little girl. He ought to wait.,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.